Box Office June 13-15, 2025
The theatrical movie box office results for June 13, 2025 through June 15, 2025 have been released.
The Box Office
How to Train Your Dragon premiered in the Number Spot at the United States box office with $84.6 Million. Worldwide, the film has made $198.7 Million, on a production budget of $150 Million.
Lilo & Stitch was Second at the box office over the weekend with $15.7 Million (a 51% drop from last weekend) for $366.5 Million so far. Worldwide, the film has made $826.1 Million, on a production budget of $100 Million.
Materialists premiered in Third Place at the box office over the weekend with $12 Million. Worldwide, the film has made $15 Million, on a production budget of $20 Million.
Mission: Impossible—The Final Reckoning was Fourth at the United States box office with $10.5 Million (a 29% drop from last weekend) for $166.5 Million so far. Worldwide, the film has made $507 Million, on a production budget of $353.8 Million.
Ballerina was Fifth over the weekend at the United States box office with $9.7 Million (a 60% drop from last weekend) for $42.1 Million so far. Worldwide, the film has made $91.8 Million, on a production budget of $90 Million.
These films: Karate Kid: Legends, Final Destination: Bloodlines, The Phoenician Scheme, The Life of Chuck, and Sinners rounded out the top ten respectively.
Movies That Opened This Weekend
The films in the Top Ten that opened this weekend at the box office:
How to Train Your Dragon is a 2025 American fantasy adventure film that is a live-action remake of the 2010 animated film, itself loosely based on the 2003 novel by Cressida Cowell. Produced by DreamWorks Animation, the film was co-executive produced, written, and directed by Dean DeBlois. It stars Mason Thames, Nico Parker, Gabriel Howell, Julian Dennison, Bronwyn James, Harry Trevaldwyn, Peter Serafinowicz, and Nick Frost, with Gerard Butler reprising his role as Stoick the Vast, whom he played in the animated films. .
Materialists is a 2025 American romance film written and directed by Celine Song. The film stars Dakota Johnson, Chris Evans, Zoë Winters, Marin Ireland, Louisa Jacobson, and Pedro Pascal. Set against the backdrop of New York City’s luxury-driven dating culture, it follows a love triangle between a matchmaker, her aspiring actor ex-boyfriend, and a charming billionaire.
Next week sees the release of 28 Years Later, Bride Hard, Elio, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: 28 Years Later will be the Number One film at the box office.
The History of Box Office (and Profit Measurement)
“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.
By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.
Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.
To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.
Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”
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