Box Office June 27-29, 2025
The theatrical movie box office results for June 27, 2025 through June 29, 2025 have been released.
The Box Office
F1: The Movie premiered in the Number One Spot at the United States box office with $57 Million. Worldwide, the film has made $146.3 Million, on a production budget of $165.4 Million.
How to Train Your Dragon was Second at the United States box office with $19.5 Million (a 46% drop from last weekend) for $200.2 Million so far. Worldwide, the film has made $456 Million, on a production budget of $150 Million.
Elio was Third at the box office over the weekend with $10.4 Million (a 50% drop from last weekend) for $41.9 Million so far. Worldwide, the film has made $72.3 Million, on a production budget of $150 Million.
M3GAN 2.0 premiered in Fourth Place at the box office over the weekend with $10.2 Million. Worldwide, the film has made $17 Million, on a production budget of $15–25 Million.
28 Years Later was Fifth at the United States box office with $9.7 Million (a 67% drop from last weekend) for $50.4 Million so far. Worldwide, the film has made $103.1 Million, on a production budget of $60 Million.
These films: Lilo & Stitch, Mission: Impossible—The Final Reckoning, Materialists, Ballerina, and Karate Kid: Legends rounded out the top ten respectively.
Movies That Opened This Weekend
The films in the Top Ten that opened this weekend at the box office:
F1, marketed as F1 the Movie, is a 2025 American sports drama film, starring Brad Pitt as a racing driver who returns to Formula One (F1) after a 30-year absence to save his former teammate’s underdog team, APXGP, from collapse. The film also stars Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem. F1 was written and directed by Joseph Kosinski and co-written by Ehren Kruger. The FIA, the governing body of F1, collaborated in the film’s production; real-life F1 teams and drivers appear, including Lewis Hamilton, who was also a producer.
M3GAN 2.0 is a 2025 American science fiction action film that is the sequel to the 2022 film M3GAN. It follows M3GAN being rebuilt to combat a humanoid military robot built using M3GAN’s technology that is attempting an AI takeover. It was written and directed by Gerard Johnstone from a story by Johnstone and Akela Cooper. It stars Allison Williams, Violet McGraw, Ivanna Sakhno, and Jemaine Clement, with Amie Donald physically portraying M3GAN while Jenna Davis voices the character. Jason Blum and James Wan return as producers under their respective Blumhouse Productions and Atomic Monster companies.
Next week sees the release of Jurassic World Rebirth, 40 Acres, Dreams, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Jurassic World Rebirth will be the Number One film at the box office.
The History of Box Office (and Profit Measurement)
“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.
By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.
Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.
To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.
Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”
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