Box Office – July 11-13, 2025: SUPERMAN, JURASSIC WORLD REBIRTH, F1: THE MOVIE, & More

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Box Office July 11-13, 2025

The theatrical movie box office results for July 11, 2025 through July 13, 2025 have been released.

The Box Office

Superman premiered in the Number One Spot at the United States box office with $122 Million. Worldwide, the film has made $217 Million, on a production budget (not including marketing costs) of $225 Million.

Jurassic World Rebirth was Second at the United States box office with $40 Million (a 57% drop from last weekend) for $232.1 Million so far. Worldwide, the film has made $529.4 Million, on a production budget (not including marketing costs) of $180 Million.

F1: The Movie was Third at the United States box office with $13 Million (a 50% drop from last weekend) for $136.1 Million so far. Worldwide, the film has made $393.3 Million, on a production budget (not including marketing costs) of $165.4 Million.

How to Train Your Dragon was Fourth at the United States box office with $7.8 Million (a 31% drop from last weekend) for $239.8 Million so far. Worldwide, the film has made $560.7 Million, on a production budget (not including marketing costs) of $150 Million.

Elio was Fifth at the box office over the weekend with $3.9 Million (a 33% drop from last weekend) for $63.6 Million so far. Worldwide, the film has made $117.2 Million, on a production budget (not including marketing costs) of $150 Million.

These films: 28 Years Later, Lilo & Stitch, Mission: Impossible—The Final Reckoning, M3GAN 2.0, Materialists rounded out the top ten respectively.

Movies That Opened This Weekend

The films in the Top Ten that opened this weekend at the box office:

Superman is a 2025 American superhero film based on the eponymous character from DC Comics. Written and directed by James Gunn, it is the first film in the DC Universe (DCU) produced by DC Studios and the second reboot of the Superman film series. David Corenswet stars as Clark Kent / Superman, alongside Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, and Isabela Merced. In the film, Superman must prove to the world that he is their protector after billionaire Lex Luthor conducts a plan to turn public opinion against him.

Next week sees the release of Eddington, I Know What You Did Last Summer, Smurfs, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Superman will be the Number One film at the box office.

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The History of Box Office (and Profit Measurement)

“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.

By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.

Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.

To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.

Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”

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