Film Review: The Naked Gun Reloaded: Neeson Shoots for Laughs and Hits the Bullseye

Sometimes, all we need is a good laugh — the kind that lifts our spirits, makes us feel lighter, and reminds us that joy still exists in this chaotic world. Comedy has that rare, magical ability to transport us away from the stress of daily life. So when a film like The Naked Gun (2025) comes along, bringing with it wall-to-wall laughs and gleeful absurdity, it’s a welcome break from reality.

Let’s not pretend we’ve all been counting the days for a Naked Gun revival. But the moment Liam Neeson was announced as the new Frank Drebin Jr., curiosity turned into excitement. After all, Leslie Nielsen’s original portrayal of Frank Drebin is iconic—brilliantly blending deadpan delivery with over-the-top gags. Now it’s his son’s turn. And as it turns out, the apple really doesn’t fall far from the tree.

Liam Neeson, of all people, delivers a comedic knockout. Known for his serious roles and commanding presence, Neeson unexpectedly proves that he’s got razor-sharp comic timing. He’s outrageously funny in ways that are both surprising and satisfying. He plays Drebin Jr. with a seriousness so exaggerated that it enhances every ridiculous moment. The result? Gut-busting laughs from beginning to end. Whoever cast him deserves a standing ovation—and maybe a corner office and a fat bonus.

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The Naked Gun (2025) doesn’t waste time pretending to be something it’s not. It’s a loving tribute to the original films—a legacy sequel drenched in slapstick, puns, and non-stop visual gags. This time, Lt. Frank Drebin Jr. is out to stop the police department from being shut down. His investigation into a suspicious car crash leads to a megalomaniacal tech billionaire, Richard Cane (played by Danny Huston), who plans to use a device called the “Primordial Law of Toughness” (yes, the P.L.O.T. Device) to send humanity back to a primitive state.

The plot is intentionally ludicrous—but that’s exactly the point. It serves as the perfect playground for the film’s barrage of jokes, absurd situations, and physical comedy that rarely lets up.

Enter Pamela Anderson as Beth Davenport, a true-crime writer and the film’s romantic lead. She plays the role with unexpected grace, matching Neeson’s comedic energy beat for beat. The two share electric on-screen chemistry—an odd but hilarious pairing that just works. Neeson’s straight-faced buffoonery contrasts beautifully with Anderson’s confident sass, making every interaction sparkle.

Their rapport feels so natural, you can’t help but wonder if the rumors of a real-life connection are true. As one of the screenwriters put it: “They liked each other… you only dream of that kind of connection between co-stars.” That unforced dynamic translates seamlessly into their performances, elevating even the silliest scenes into comic gold.

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As expected, Drebin Jr. ultimately saves the day—but not before facing a series of hilariously bizarre challenges. From a bloodthirsty enchanted snowman to a talking owl that may or may not be his father’s spirit, and an “internal affairs” department disguised as a luxury tropical resort, the film escalates its insanity with confidence and flair.

By the time Frank and Beth ride off into the sunset—romance intact and world saved—the film has made one thing clear: we need more movies that dare to be this unapologetically silly. The Naked Gun doesn’t just make you laugh—it reminds you how much we need to laugh.

The Naked Gun (2025) is a riotously entertaining comedy that doesn’t just honor its roots—it reinvents them for a new generation. It’s gloriously dumb in all the right ways, and it never apologizes for being exactly what it is: a joyful, ridiculous, laugh-out-loud good time. So, if life’s got you down, Lt. Frank Drebin Jr. might be exactly what the doctor ordered.

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