Cousins, Bo and Luke Duke, with the help of their eye-catching cousin, Daisy and moonshine-running Uncle Jesse, try and save the family farm from being destroyed by Hazzard County’s corrupt commissioner, Boss Hogg. Their efforts constantly find the ‘Duke Boys’ eluding authorities in ‘The General Lee’, their 1969 orange Dodge Charger that keeps them one step ahead of the dimwitted antics of the small southern town’s Sheriff, Roscoe P. Coltrane.
Credits: TheMovieDb.
Film Cast:
- Luke Duke: Johnny Knoxville
- Bo Duke: Seann William Scott
- Daisy Duke: Jessica Simpson
- Uncle Jesse Duke: Willie Nelson
- Jefferson Davis ‘Boss’ Hogg: Burt Reynolds
- Sheriff Rosco P. Coltrane: M.C. Gainey
- Billy Prickett: James Roday Rodriguez
- Cooter Davenport: David Koechner
- Deputy Enos Strate: Michael Weston
- Katie Johnson: Nikki Griffin
- Laurie Pullman: Alice Greczyn
- Governor Jim Applewhite: Joe Don Baker
- Pauline: Lynda Carter
- Sheev: Kevin Heffernan
- Jimmy: Steve Lemme
- Dil Driscoll: Michael Roof
- Deputy Cletus Hogg: Jack Polick
- Annette: Jacqui Maxwell
- Royce: Charlie Finn
- Judge Locke Randolph: Therial ‘Houseman’ DeClouet
- Security Guard Chip: Jim Cody Williams
- Prisoner: Wayne Douglas Morgan
- The Balladeer (voice): Junior Brown
- …: Tobi Gadison
- Angry Man: Andrew Prine
- Puncher: David Leitch
- Sorority Girl: Christina Dare
- Campus Cop #1: Jay Chandrasekhar
- Campus Cop #2: Erik Stolhanske
- Race Car Driver #1: A.J. Foyt IV
- Local #2: Dolan Wilson
- Girl #1: Heather Hemmens
- Out of Towner #1: Mitch Braswell
- Local #1: Rusty Tennant
Film Crew:
- Editor: Lee Haxall
- Additional Editing: Jay Chandrasekhar
- Casting: Mary Vernieu
- Director of Photography: Lawrence Sher
- Characters: Gy Waldron
- Story: Jonathan L. Davis
- Executive Producer: Bruce Berman
- Editor: Myron Kerstein
- Original Music Composer: Nathan Barr
- Executive Producer: Dana Goldberg
- Screenplay: John O’Brien
- Executive Producer: Eric McLeod
- Producer: Bill Gerber
- Casting: Lisa Mae Fincannon
- Production Design: Jon Gary Steele
- Stunts: Danny Epper
- Digital Effects Supervisor: Hugo Dominguez
- Stunts: Steve Kelso
- Stunts: Tim Rigby
- Stunts: Tommy J. Huff
- Set Dresser: Frank M. Fleming
- Stunt Double: Chad Stahelski
- Fight Choreographer: David Leitch
- Assistant Costume Designer: Molly Grundman-Gerbosi
- Transportation Coordinator: John Orlebeck
- Unit Production Manager: Mark Indig
- Additional Camera: Philip Lee
- Driver: Michael Forte
- Grip: Gerald Autin
- Utility Stunts: Brandon Beckman
- First Assistant Camera: Christopher M. Fisher
- Rigging Grip: Bobby Huber
- ADR Supervisor: Darren King
- Casting Associate: Venus Kanani
- Painter: Jonathan S. Morgan
- Set Costumer: Susan Salzano
- Greensman: Michael J. Flynn
- Stand In: David E. Brown
- Orchestrator: Christian Barr
- Craft Service: Reva Grantham
- Loader: Trevor Carroll-Coe
- Set Medic: Jennifer Brown
- Unit Publicist: John M. Pisani
- Assistant Sound Editor: Terry Garcia
- Makeup Designer: Gerald Quist
- Carpenter: Christopher Kuder
- Picture Car Coordinator: John Feinblatt
- Scenic Artist: Jack Reeves
- Transportation Captain: Don Poole
- Executive In Charge Of Production: Ravi D. Mehta
- Hairstylist: Jessie Holiday
- Transportation Co-Captain: Robert Gillis
- Video Assist Operator: Dempsey Tillman
- Electrician: Bob Bates
- Makeup Artist: Simone Almekias-Siegl
- Set Production Assistant: J.J. Dalton
- Stunts: Hank Amos
- Production Accountant: Terry Edinger
- Digital Compositors: Randy Brown
- Visual Effects: Brett Boggs
- Sound: John T. Reitz
- Production Sound Mixer: David Alvarez
- Art Direction: Chris Cornwell
- Hair Department Head: Deborah Mills-Whitlock
- Sound Effects Editor: Craig Henighan
- Dialogue Editor: Meg Taylor
- Visual Effects Supervisor: Jason Piccioni
- Camera Operator: Robert Reed Altman
- Costume Design: Genevieve Tyrrell
- Key Makeup Artist: Sheri Kornhaber
- Boom Operator: John D’Aquino
- Makeup Department Head: Chris Bingham
- Property Master: Michael Sexton
- Dialogue Editor: Kimberly R. McCord-Wilson
- Special Effects Supervisor: Burt Dalton
- Art Department Coordinator: Kristen Donaldson
- Leadman: Daniel Dupont
- Visual Effects Producer: Lori J. Nelson
- Stunt Coordinator: Darrin Prescott
- Art Direction: Simon Dobbin
- Construction Coordinator: Thomas A. Morris Jr.
- Sound Effects Editor: Robert Grieve
- Boom Operator: Sterling Moore
- Set Designer: David Eckert
- Key Hair Stylist: Donna Battersby Greene
- Set Designer: Stephanie Girard
- Construction Foreman: Daniel Dietrich
- Dialogue Editor: Patrick J. Foley
- Supervising Sound Editor: Gregory King
- Propmaker: Scott D. Warner
- Foley Editor: Bob Beher
- First Assistant Director: Artist W. Robinson
- Stunt Coordinator: Scott Rogers
- Sound Designer: Yann Delpuech
- Sound Recordist: Mark Johnston
- Sound Effects Editor: Joel Shryack
- Set Decoration: Traci Kirshbaum
- Visual Effects Producer: Damon Bingham
- Music Editor: Brian Richards
- Music Supervisor: Nic Harcourt
- Key Grip: Michael J. Coo
- Costume Supervisor: Gala Autumn
- Production Coordinator: Leslie Stevens
- Rigging Gaffer: Gary Hildebrand
- Chief Lighting Technician: Leslie J. Kovacs
- Location Manager: Virginia McCollam
- Dolly Grip: Patrick R. Heffernan
- Camera Operator: Heather Page
- Gaffer: John G. Velez
- Still Photographer: Sam Emerson
- Camera Operator: Todd McMullen
- Seamstress: Lesley D. Wickham
- Script Supervisor: Rebecca Fulton
- Post Production Supervisor: Lisa Dennis
- Stunts: Troy Brown
- Stunts: Tad Griffith
- Second Unit Director: Dan Bradley
- Best Boy Grip: Craig Kohtala
- ADR Voice Casting: Sandy Holt
- Digital Intermediate Editor: Everette Webber
- Digital Intermediate Producer: April McMorris
- Location Assistant: Tara Martin
- Music Consultant: Steven Baker
- Set Painter: Chris Samp
- “A” Camera Operator: Tommy Lohmann
- Additional Second Assistant Director: Robert Dickerson Jr.
- Assistant Property Master: J.D. Jacoby
- Title Designer: Baris Attila
- Foley Artist: Alyson Dee Moore
- Casting Assistant: Tracy Shields
- Assistant Location Manager: Linda ‘Sam’ Glynn
- Stunt Double: Andy Dylan
- Assistant Editor: Rachel Goodlett Katz
- Digital Compositor: Chris Dawson
- Key Set Costumer: Amy Fegely
- Camera Production Assistant: Gerard Martin
- “B” Camera Operator: Jeffrey M. Hoffman
- Assistant Production Manager: Courtney Dane
- ADR Mixer: Eric Gotthelf
- Stunt Driver: John Ashker
- Foley Mixer: Mary Jo Lang
- Colorist: Jonathan Malden
- Visual Effects Assistant Editor: Doug Luberts
- Additional Second Assistant Camera: Ann G. Somogye
- Costumer: Claudia Coleman
- Second Assistant Director: Deanna Stadler
- Graphic Designer: Ellen Lampl
- Animation Coordinator: Ben Kalina
- Second Second Assistant Director: Kevin Duncan
- Dolly Grip: Thomas Smaling
- First Assistant Accountant: Jennifer P. Luther
- Payroll Accountant: Karen Scarborough
- Second Assistant Accountant: Carole Humphreys
- Assistant Craft Service: Joey Gbur
- Assistant Chief Lighting Technician: Darrin Smith
- Location Production Assistant: Jay DeFelice
- Extras Casting: Robin Batherson
- Assistant Production Coordinator: David Nico
- Production Secretary: Lisa Marie Hill
- Production Assistant: Eddie Budd
- Location Casting: Craig Fincannon
- Stunt Driver: Tanner Foust
- Extras Casting Assistant: Wendi Coates
Movie Reviews:
- Kamurai: Bad watch, probably won’t watch again, and can’t recommend.
- I don’t fault anyone for liking this one, but it’s a story from another time and place to me. I have an issue with Confederate Battle Flag, which was much more widely accepted when the series was first created vs this remake, but even ignoring that it’s about moonshine runners getting away with horrible driving practices and whatever else they can get away with. They’re not good guys, they’re just less bad, and maybe that’s part of the appeal for some people.
- I went into this knowing that Johnny Knoxville (“Jackass”) and Seann William Scott (“American Pie”: Stifler) are both really funny, and at least Jessica Simpson is pretty, but she’s not the Siren they present her to be, but comedy. On the boys’ side, you get pretty much what you would expect, but nothing surprisingly good. Though there is a scene where they’re pretty much thankful to be arrested because they’re about to be killed for a “black face” joke. I’ll admit the context is pretty nuanced and well handled, but they also…could have just not done it.
- I’m stretching for good bits, and the best thing is probably the script. The actual story of two average idiots trying to save their town from an evil capitalist they do is actually pretty good. Imagine the “evil oil baron” bit from “The Muppets”, but they’re country boys.
- It’s not a complete waste, but it’s definitely not a movie that I’d recommend or sit down to watch with someone.
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